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A BLACK SCULPTOR DEMANDS YOUR ATTENTION, PLEASE (AT THE NATIONAL PORTRAIT GALLERY)

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ARTIST JWAN JOSEF (RICKY MARTIN’S NEW BOYFRIEND) OPENLY PLAGIARISES TURNER PRIZE NOMINEE, ANGELA DE LA CRUZ

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WANNA BE A TATE CURATOR? THINK TWICE…

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MARK WALLINGER’S EXPLORATION OF THE SELF AT THE FREUD MUSEUM FALLS INTO ITS OWN TRAP

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A COLLECTION VALUED IN THE BILLIONS OF DOLLARS IS HIDDEN IN IRAN

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WHEN FORM SIMULTANEOUSLY ENACTS TRIBUTE TO AND CRITIQUE OF THE ACADEMY

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REPRESENTING HOMOSEXUAL DIGNITY THROUGH AMPHIBIOUS PAINTING: BHUPEN KHAKAR AT TATE MODERN

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TRUMPIRACE

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AT TATE MODERN, TANYA BARSON MANAGES TO TURN GEORGIA O’KEEFFE INTO A DULL DOLL

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THE FILM ‘HIERONYMUS BOSCH: TOUCHED BY THE DEVIL’ ARGUES THAT THERE ARE MORE THAN TWO HANDS BEHIND THE SIGNATURE

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MARY HEILMANN SHOWS US WHAT EXCESSIVE CYNICISM CAN DO TO A SERIOUS ARTISTIC PROJECT IN HER WHITECHAPEL ART GALLERY RETROSPECTIVE

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KEITH SONNIER PUTS DAN FLAVIN IN HIS PLACE AT THE WHITECHAPEL ART GALLERY

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KAREN KILIMNIK’S LAZY OPPORTUNISM AT 303 GALLERY

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CONTEMPORARY ART WORLD MITOMANIACS: THE MARINE TANGUY CASE

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PAINTERLY EXPRESSION JOINS THE READY MADE, THE COLLAGE AND COLOUR AS IMAGE IN THE MODERNIST PANTHEON OF WORTHY ART

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THE FERAL IN ALL OF US AS A WAY OF AVOIDING CHANGE (AND PERSONAL GROWTH): RYAN TRECARTIN IN ANDREA ROSEN

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IN ‘BRUCE CONNER: IT’S ALL TRUE!’ (MOMA) AND ‘OROZCO, RIVERA, SIQUEIROS: THE PENDING EXHIBITION’ (MNBA BUENOS AIRES), CURATORS PUSH ART ASIDE TO HONOR THE FOUNDING FATHERS OF THEIR PROFESSION (AND SHOW MUSCLE)

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WHAT’S THE POINT OF ARCHITECTURE IF WE SPEND MORE TIME IN BED AND LOOKING AT SCREENS THAN WALKING AROUND?

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THE NEW TATE MODERN IS A TOTEM AIMED AT EXORCISING LONDON’S FEAR OF BECOMING IRRELEVANT

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HOW TO MAKE ART WHEN TECHNIQUE SEEMS TO HAVE BEEN HIJACKED BY SOCIAL INCLUSION AS THE IDEOLOGY OF THE ‘POLITICAL CORRECT’ ART BUREAUCRACY

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LOTS OF BAD ART AND EUROPEAN GUILT AT THIS YEAR’S MANIFIESTA IN ZURICH

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ART AS ALCHEMY: THE LOST WORLD OF EDIBLE FESTIVALS

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FROM A PICTORIAL POINT OF VIEW, GUILLERMO KUITCA’S HOMMAGE TO PINA BAUSCH AT HAUSER & WIRTH IS A DISASTER

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IT IS NOT THE ROLE OF A MUSEUM TO GUARANTEE A DEMOCRATIC AND INCLUSIVE EDUCATION

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FIASCO AT THE MASI ARTE E CULTURA IN LUGANO: HOW NOT TO CURATE A SHOW BASED ON A COLLECTION GATHERED AS IF GOOGLING THE WORD ‘NEWSPAPER’

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WITH HIS DRONEPORT, NORMAN FOSTER CONFIRMS THE CRISIS OF ARCHITECTURE

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A FILM THAT EXPLORES ART AS A TELEPHATIC FORM OF COMMUNICATION THROUGH TIME THAT ALLOWED A EUROPEAN IDENTITY TO BE CREATED

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ALEX FARQUHARSON’S REASONS FOR THIS YEAR’S TURNER PRIZE SHORTLISTING SHOULD BE A MATTER OF CONCERN

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‘I WORKED WITH MARINE TANGUY AND CAN CONFIRM THAT SHE IS TEXTBOOK SOCIOPATHIC’

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THE COURTAULD CAN BE A VERY STUPID PLACE (TRUST US, WE KNOW!)

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MARINE TANGUY, THE SOCIOPATHIC ART DEALER, HAS JUST ASKED VIMEO TO REMOVE MY VIDEO ABOUT HER AND ROD BARTON

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YANA PEEL, WHOSE BROTHER IN LAW/TORY-GOV BACKER, POJU ZABLUDOWICZ WAS QUESTIONED UNDER OATH FOR TAX AVOIDANCE, IS NOW HEADING THE SERPENTINE

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FORMER PLUS SIZE PORN MODEL AND CURRENT CURATOR PABLO LEON DE LA BARRA TURNS TO INTERIOR DECORATING AFTER HIS FLOPS AT GUGGENHEIM AND JUMEX

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THE PANAMA PAPERS HAVE REVEALED THAT I WAS RIGHT AT STOPPING ART DEALING AFTER BEING INTRODUCED TO THE NAHMAD FAMILY BY A NY WEALTH MANAGER

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ROD BARTON: TURNING THE HATRED OF ART INTO A BUSINESS

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ZAHA HADID’S DEATH HAS GOT ALL THE MEDIA ATTENTION BUT ELLSWORTH KELLY IS THE ONE WHO IS GOING TO BE TRULY REMEMBERED

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MARINE TANGUY: FAKING A POSH ACCENT TO CHAMPION FAKE ART

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ROD BARTON & MARINE TANGUY: TWO YOUNG, FAR TOO AMBITIOUS AND ART-HATING LONDON GALLERISTS

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DRIES VAN NOTEN: A CARPET BUENOS AIRES TO PARIS AND AN ARTIST I WORK WITH

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ZAHA HADID, THE ARCHITECT WHOSE DESIGNS PROVOKED THE DEATH OF MANY MIGRANT WORKERS IN THE MIDDLE EAST IS DEAD

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MARCELO BRODSKY, THE PHOTOGRAPHER WHO SOLD TO TATE MODERN A PICTURE OF ARGENTINE MISSING PEOPLE AS A ‘READY MADE’ AND WITHOUT THE FAMILIES’ CONSENT ESCORTED OBAMA TO THE NATIONAL MEMORIAL IN HIS STATE VISIT

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PAINTINGS AS ALCHEMY IN XVI CENTURY PARMA

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CORREGGIO & PARMEGIANINO AT THE SCUDERIE DEL QUIRINALE IN ROME AND THE SELF IMPOSED SOCIAL LIMITATIONS OF ART HISTORIANS IN A CONSERVATIVE SOCIETY

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HOW ART CRITICISM MIGHT END UP RESCUING LITERARY CRITICISM?

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YOUSSEF NABIL’S FETICHISING AESTHETICS MAKES SALMA HAYEK ANNOYINGLY UNATTRACTIVE IN DUBAI

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YOUSSEF NABIL’S SHOW IN DUBAI SPARKS FURTHER DOUBTS ABOUT SO CALLED ‘MIDDLE EASTERN ART’

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HOT MIGRANTS! SO WRONG BUT BECAUSE OF THAT…SO SEXY!

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BORDERLINE? YOU THINK YOU ARE GOING TO LOSE YOUR MIND? I THINK YOU DID IT!

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AT CENTRALE MONTEMARTINI, PRESENT DAY ROMANS CONSIDER THEMSELVES PROGRESSIVE BUT, IN FACT, THEY SHOW THEIR PARALYSING OBSESSION WITH THE PAST

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IN A TWO-PAGE INTERVIEW IN THE MOST RELEVANT NEWSPAPER IN CHILE, I SPEAK ABOUT THAT COUNTRY’S ‘APARTHEID’