2776

WHITECHAPEL ART GALLERY’S DIRECTOR, IWONA BLAZWICK USES THE GUERRILLA GIRLS SHOW TO SECURE HER POSITION BUT FUNDING IT WITH A DONATION FROM (WIFE OF WEALTHY GUY) CATHERINE PETITGAS MAKES THE ARTISTS COME ACROSS AS BUREAUCRATIC AND HYPOCRITICAL

moonlight-620x360

‘MOONLIGHT’ SHOWS US THAT SOMETIMES A SILENT LOOK IS WORTH MORE THAN A HUSBAND, TWO KIDS AND A SWIMMING POOL

unnamed

I AM MOVING HOUSES AND I AM REALISING THAT MY RELATIONSHIP WITH OBJECTS HAS BECOME AS UNCOMMITTED AS IT IS WITH PEOPLE SINCE FACEBOOK AND TINDER STARTING TO DOMINATE OUR LIVES

ny9be6kdg

THE RISE OF THE WEAPONISED ARTIFICIAL INTELLIGENCE PROPAGANDA MACHINE THAT IS ALTERING ELECTION RESULTS ALL AROUND THE WORLD

Marine+Tanguy+6TM4Y-QX_WIm

JON SHARPLES FROM ‘THE ART SHOW’: ‘MARINE TANGUY IS TRYING TO GET IN TOUCH WITH ME IN THE HOPE OF WORKING TOGETHER BUT SHE IS A SOCIOPATH AND A FANTASIST’

unnamed-22

IN TIMES WHEN HIPSTERS TRY TO GLAMORISE OLD IDEAS OF RAW CAPITALISTIC PIONEERING, ‘ASSEMBLE’ REMINDS US OF THE RESPONSABILITY THAT WE ALL HAVE IN PROTECTING THE IDEA OF ‘THE COMMON’BUT FAILS TO PRESENT IT AS ‘ART’

screen-shot-2017-02-15-at-09-39-48

TODAY IS MY BIRTHDAY AND I AM TRYING TO ORDER A CAKE IN HIPSTER HACKNEY BUT I AM SCARED

img_0705

AT WHITE CUBE MASON’S YARD, A KOREAN ARTIST TURNS ‘MINDFULNESS’ INTO PAINTINGS (AND IT WORKS!)

unnamed-1

DONALD TRUMP AS VENUS FOR TABOOFART.COM

jackieheader

NOT EXPLORING JACKIE’S RELATIONSHIP WITH HER SON BEFORE JFK’S FUNERAL IS LARRAIN’S WORST MISTAKE IN HIS MINIMALISTIC HOLLYWOOD BIOPIC

a-break-away-oil-1890-tom-roberts

AUSTRALIAN IMPRESSIONISM AT THE NATIONAL GALLERY SHOWS COWBOYS AS SURFERS AND THE LAND AS THE SEA

nexe7yaw8wstad_1_b

‘LA LA LAND’ AND THAT VERY TRUMPIAN NATURALISATION OF MONEY OVER LOVE

maria-balshaw-1024x758

MARIA BALSHAW IS THE PROTEGÉE OF A RATHER GANGSTERISH TATE TRUSTEE CALLED TOM BLOXHAM WHO EMBODIES THE SORT OF POLITICAL CORRECTNESS THAT PUSHES ARTS INSTITUTIONS TO GET BIGGER AND BIGGER WITH TAX PAYERS’ MONEY

michael-gove

HOW CRITICAL MUST THE SITUATION BE IF CONSERVATIVE MICHAEL GOVE APPEARS TO BE MORE IN TOUCH WITH WHAT ART SHOULD BE THAN THE TURNER PRIZE?

screen-shot-2016-11-30-at-15-34-19

NAN GOLDIN AT MOMA: DIARIES OF A CUNT?

artfully-awear-carmen-herrera-whitney-3

IN THE LAND OF COMMODIFIED POLITICAL CORRECTNESS, CARMEN HERRERA GETS A SHOW AT THE WHITNEY

venice3_1

CHILEAN ALEJANDRO ARAVENA STRUGGLES TO FIND A PURPOSE FOR ARCHITECTURE AT THE LATEST VENICE BIENNALE (IN ISTAMBUL, HOWEVER, EYAL WEIZMAN CATCHES OUR ATTENTION)

9ed62dc8ce937e73c6f37e4c209723ae

ABSTRACT EXPRESSIONISM AT THE ROYAL ACADEMY: THE SHOW THAT LEAVES CLEMENT GREENBERG WITHOUT A POINT

img_5229-1080x768

THE 32nd SÃO PAULO BIENNIAL IS A POLITICALLY CORRECT MONOLOGUE THAT DOES NOT EVEN DARE TO TALK ABOUT POLITICS

expedia1

DO NOT USE EXPEDIA! THEY WILL ONLY ROB YOUR MONEY!

unnamed-28

A BLACK SCULPTOR DEMANDS YOUR ATTENTION, PLEASE (AT THE NATIONAL PORTRAIT GALLERY)

Screen Shot 2016-08-27 at 02.20.49

ARTIST JWAN JOSEF (RICKY MARTIN’S NEW BOYFRIEND) OPENLY PLAGIARISES TURNER PRIZE NOMINEE, ANGELA DE LA CRUZ

Screen Shot 2016-02-22 at 12.11.01

WANNA BE A TATE CURATOR? THINK TWICE…

Left-Mark-Wallinger-id-Painting-50-2015-Right-Mark-Wallinger-Photo-by-Grazyna-Dobrzanska-Redrup

MARK WALLINGER’S EXPLORATION OF THE SELF AT THE FREUD MUSEUM FALLS INTO ITS OWN TRAP

photo 5

A COLLECTION VALUED IN THE BILLIONS OF DOLLARS IS HIDDEN IN IRAN

Screen Shot 2016-08-20 at 22.04.12

WHEN FORM SIMULTANEOUSLY ENACTS TRIBUTE TO AND CRITIQUE OF THE ACADEMY

Screen Shot 2016-08-18 at 14.15.18

REPRESENTING HOMOSEXUAL DIGNITY THROUGH AMPHIBIOUS PAINTING: BHUPEN KHAKAR AT TATE MODERN

Screen Shot 2016-08-15 at 22.54.08

TRUMPIRACE

jimson-weed-white-flower-no.-1-1932

AT TATE MODERN, TANYA BARSON MANAGES TO TURN GEORGIA O’KEEFFE INTO A DULL DOLL

Bosch-scene-4_Ilsink_Flood_and_Hell_72

THE FILM ‘HIERONYMUS BOSCH: TOUCHED BY THE DEVIL’ ARGUES THAT THERE ARE MORE THAN TWO HANDS BEHIND THE SIGNATURE

IMG_3816

MARY HEILMANN SHOWS US WHAT EXCESSIVE CYNICISM CAN DO TO A SERIOUS ARTISTIC PROJECT IN HER WHITECHAPEL ART GALLERY RETROSPECTIVE

unnamed-5

KEITH SONNIER PUTS DAN FLAVIN IN HIS PLACE AT THE WHITECHAPEL ART GALLERY

3e7e8a866a334c070ef5092743e6cbde

KAREN KILIMNIK’S LAZY OPPORTUNISM AT 303 GALLERY

Marine-Tanguy

CONTEMPORARY ART WORLD MITOMANIACS: THE MARINE TANGUY CASE

maxresdefault

PAINTERLY EXPRESSION JOINS THE READY MADE, THE COLLAGE AND COLOUR AS IMAGE IN THE MODERNIST PANTHEON OF WORTHY ART

lizzie-fitch-ryan-trecartin-andrea-rosen-01

THE FERAL IN ALL OF US AS A WAY OF AVOIDING CHANGE (AND PERSONAL GROWTH): RYAN TRECARTIN IN ANDREA ROSEN

Unknown-1

IN ‘BRUCE CONNER: IT’S ALL TRUE!’ (MOMA) AND ‘OROZCO, RIVERA, SIQUEIROS: THE PENDING EXHIBITION’ (MNBA BUENOS AIRES), CURATORS PUSH ART ASIDE TO HONOR THE FOUNDING FATHERS OF THEIR PROFESSION (AND SHOW MUSCLE)

Screen Shot 2016-06-30 at 11.14.00

WHAT’S THE POINT OF ARCHITECTURE IF WE SPEND MORE TIME IN BED AND LOOKING AT SCREENS THAN WALKING AROUND?

Tate_Modern_HdM_1829

THE NEW TATE MODERN IS A TOTEM AIMED AT EXORCISING LONDON’S FEAR OF BECOMING IRRELEVANT

10320450_10152424518402618_3078302621379322024_n

HOW TO MAKE ART WHEN TECHNIQUE SEEMS TO HAVE BEEN HIJACKED BY SOCIAL INCLUSION AS THE IDEOLOGY OF THE ‘POLITICAL CORRECT’ ART BUREAUCRACY

IMG_2678

LOTS OF BAD ART AND EUROPEAN GUILT AT THIS YEAR’S MANIFIESTA IN ZURICH

b5ddf1c5ae6c730ab6b20b540dd47b8c

ART AS ALCHEMY: THE LOST WORLD OF EDIBLE FESTIVALS

e2335e6d-27d6-4626-9acb-0ff5e9c5e02b

FROM A PICTORIAL POINT OF VIEW, GUILLERMO KUITCA’S HOMMAGE TO PINA BAUSCH AT HAUSER & WIRTH IS A DISASTER

IMG_0009

IT IS NOT THE ROLE OF A MUSEUM TO GUARANTEE A DEMOCRATIC AND INCLUSIVE EDUCATION

IMG_1962

FIASCO AT THE MASI ARTE E CULTURA IN LUGANO: HOW NOT TO CURATE A SHOW BASED ON A COLLECTION GATHERED AS IF GOOGLING THE WORD ‘NEWSPAPER’

Norman-Foster-002

WITH HIS DRONEPORT, NORMAN FOSTER CONFIRMS THE CRISIS OF ARCHITECTURE

Screen Shot 2016-05-25 at 08.02.36

A FILM THAT EXPLORES ART AS A TELEPHATIC FORM OF COMMUNICATION THROUGH TIME THAT ALLOWED A EUROPEAN IDENTITY TO BE CREATED

turner-prize-2016-shortlist-nominees-CULTURE-large_trans++eo_i_u9APj8RuoebjoAHt0k9u7HhRJvuo-ZLenGRumA

ALEX FARQUHARSON’S REASONS FOR THIS YEAR’S TURNER PRIZE SHORTLISTING SHOULD BE A MATTER OF CONCERN

491054391

‘I WORKED WITH MARINE TANGUY AND CAN CONFIRM THAT SHE IS TEXTBOOK SOCIOPATHIC’

images-4

THE COURTAULD CAN BE A VERY STUPID PLACE (TRUST US, WE KNOW!)