FIASCO AT THE MASI ARTE E CULTURA IN LUGANO: HOW NOT TO CURATE A SHOW BASED ON A COLLECTION GATHERED AS IF GOOGLING THE WORD ‘NEWSPAPER’

WITH HIS DRONEPORT, NORMAN FOSTER CONFIRMS THE CRISIS OF ARCHITECTURE

A FILM THAT EXPLORES ART AS A TELEPHATIC FORM OF COMMUNICATION THROUGH TIME THAT ALLOWED A EUROPEAN IDENTITY TO BE CREATED

ALEX FARQUHARSON’S REASONS FOR THIS YEAR’S TURNER PRIZE SHORTLISTING SHOULD BE A MATTER OF CONCERN

‘I WORKED WITH MARINE TANGUY AND CAN CONFIRM THAT SHE IS TEXTBOOK SOCIOPATHIC’

THE COURTAULD CAN BE A VERY STUPID PLACE (TRUST US, WE KNOW!)

MARINE TANGUY, THE SOCIOPATHIC ART DEALER, HAS JUST ASKED VIMEO TO REMOVE MY VIDEO ABOUT HER AND ROD BARTON

YANA PEEL, WHOSE BROTHER IN LAW/TORY-GOV BACKER, POJU ZABLUDOWICZ WAS QUESTIONED UNDER OATH FOR TAX AVOIDANCE, IS NOW HEADING THE SERPENTINE

FORMER PLUS SIZE PORN MODEL AND CURRENT CURATOR PABLO LEON DE LA BARRA TURNS TO INTERIOR DECORATING AFTER HIS FLOPS AT GUGGENHEIM AND JUMEX

THE PANAMA PAPERS HAVE REVEALED THAT I WAS RIGHT AT STOPPING ART DEALING AFTER BEING INTRODUCED TO THE NAHMAD FAMILY BY A NY WEALTH MANAGER

ROD BARTON: TURNING THE HATRED OF ART INTO A BUSINESS

ZAHA HADID’S DEATH HAS GOT ALL THE MEDIA ATTENTION BUT ELLSWORTH KELLY IS THE ONE WHO IS GOING TO BE TRULY REMEMBERED

MARINE TANGUY: FAKING A POSH ACCENT TO CHAMPION FAKE ART

ROD BARTON & MARINE TANGUY: TWO YOUNG, FAR TOO AMBITIOUS AND ART-HATING LONDON GALLERISTS

DRIES VAN NOTEN: A CARPET BUENOS AIRES TO PARIS AND AN ARTIST I WORK WITH

ZAHA HADID, THE ARCHITECT WHOSE DESIGNS PROVOKED THE DEATH OF MANY MIGRANT WORKERS IN THE MIDDLE EAST IS DEAD

MARCELO BRODSKY, THE PHOTOGRAPHER WHO SOLD TO TATE MODERN A PICTURE OF ARGENTINE MISSING PEOPLE AS A ‘READY MADE’ AND WITHOUT THE FAMILIES’ CONSENT ESCORTED OBAMA TO THE NATIONAL MEMORIAL IN HIS STATE VISIT

PAINTINGS AS ALCHEMY IN XVI CENTURY PARMA

CORREGGIO & PARMEGIANINO AT THE SCUDERIE DEL QUIRINALE IN ROME AND THE SELF IMPOSED SOCIAL LIMITATIONS OF ART HISTORIANS IN A CONSERVATIVE SOCIETY

HOW ART CRITICISM MIGHT END UP RESCUING LITERARY CRITICISM?

YOUSSEF NABIL’S FETICHISING AESTHETICS MAKES SALMA HAYEK ANNOYINGLY UNATTRACTIVE IN DUBAI

YOUSSEF NABIL’S SHOW IN DUBAI SPARKS FURTHER DOUBTS ABOUT SO CALLED ‘MIDDLE EASTERN ART’

HOT MIGRANTS! SO WRONG BUT BECAUSE OF THAT…SO SEXY!

BORDERLINE? YOU THINK YOU ARE GOING TO LOSE YOUR MIND? I THINK YOU DID IT!

AT CENTRALE MONTEMARTINI, PRESENT DAY ROMANS CONSIDER THEMSELVES PROGRESSIVE BUT, IN FACT, THEY SHOW THEIR PARALYSING OBSESSION WITH THE PAST

IN A TWO-PAGE INTERVIEW IN THE MOST RELEVANT NEWSPAPER IN CHILE, I SPEAK ABOUT THAT COUNTRY’S ‘APARTHEID’

SAY HELLO TO PRICK-ASSO!

WHY IS THE GALLERIA BORGHESE EMBARRASSED BY THEIR HERMAPHRODITE’S PENIS?

A COLLECTOR’S EXQUISITE (AND DECADENT) TASTE SHOWCASED AT AN AMAZING EXHIBITION AT PALAZZO ALTEMPS IN ROME

‘WHEN I SAID ARCHITECTS SHOULD GET INVOLVED IN HUMANITARIAN ISSUES, PEOPLE LAUGHED AT ME’

TATE MODERN’S CURATOR OF PHOTOGRAPHY TAKES THE PLACE OF THE ARTIST AND TURNS HIM INTO SHIT (IN A CAN À LA PIERO CANZONI)

THE ITALIAN PASSED FROM EMBODYING HIGH CULTURE TO BEING RIDICULED FOR THEIR LACK OF KNOWLEDGE

KELLY CLARKSON BRINGS JLO TO TEARS AND MAKES ART IN THE MOST UNLIKELY PLACE, AMERICAN IDOL

‘SOCIALLY MINDED ARCHITECTURE IS NOT AN ARCHITECT’S RESPONSIBILITY’ SAYS ALEJANDRO ARAVENA

I MIGHT BE BIASED BECAUSE ARTHUR DELANEY IS MY GOOD FRIEND BUT HAELOS IS GREAT!

‘SINCE JEFF KOONS’ CICCIOLINA, I HAVE NEVER SEEN SOMETHING AS MISOGYNISTIC AS ROMAIN MADER… AND SIMON BAKER’

IS ‘PERFORMING FOR THE CAMERA’ CURRENTLY AT TATE MODERN ABOUT ‘PRODUCT PLACEMENT’?

MY VIDEO REVIEW OF THE ‘PERFORMING FOR THE CAMERA’ EXHIBITION AT TATE MODERN (UNTIL JUNE)

FILM DIRECTOR GASPAR NOÉ RAPED A WOMAN TO GET INSPIRED FOR HIS INFAMOUS RAPE IN REAL TIME IN HIS ‘IRREVERSIBLE’ (2002)

ACCORDING TO ZAHA HADID, HER BUILDINGS ARE DYNAMIC BUT I THINK THEY ARE A REPRESENTATION OF THE DYNAMIC WHICH IS VERY DIFFERENT

ACCORDING TO A SWISS CHINESE ARTIST, ZAHA HADID AND FRANCIS BACON EVIDENCE A ‘LACK OF WILLINGNESS TO ENGAGE’ BUT WHAT DOES SHE MEAN BY THAT?

THE DEAN OF THE YALE SCHOOL OF ARTS AGREES WITH US THAT ROBERTA SMITH AND JERRY SALTZ ARE TO ART CRITICISM WHAT PINOCHET TO HUMAN RIGHTS

ZAHA HADID’S USE OF SUPREMATISM MAKES HER ARCHITECTURE POINTLESS

WHY IS THE ROYAL INSTITUTE OF BRITISH ARCHITECTS MAKING A BIG MISTAKE GIVING THE AWARD TO ZAHA HADID?

TATE MODERN PURCHASED A PHOTO OF ARGENTINE MISSING PEOPLE WITHOUT THEIR FAMILIES CONSENT

THE BURBERRY’S MENSWEAR JANUARY 2016 IS A VIEWING CYBORG FOR A MEDICATED BUYER

THE DAY A NUN TAUGHT ANDRES SERRANO THINGS ABOUT HIMSELF (AND HIS ‘PISS CHRIST’)

THE ARTIST THAT CURATORS MIGHT HAVE BEEN WAITING FOR TO CONSIDER THEMSELVES AS ARTISTS

ALEXANDRA KEHAYOGLOU: THE RUG MAKER WHO CREATES MAGICAL WORLDS OUT OF THREADS

REM KOOLHAAS INTERVIEW: WE SHOULDN’T TEAR DOWN BUILDINGS WE CAN STILL USE’