HOW ART CRITICISM MIGHT END UP RESCUING LITERARY CRITICISM?

YOUSSEF NABIL’S FETICHISING AESTHETICS MAKES SALMA HAYEK ANNOYINGLY UNATTRACTIVE IN DUBAI

YOUSSEF NABIL’S SHOW IN DUBAI SPARKS FURTHER DOUBTS ABOUT SO CALLED ‘MIDDLE EASTERN ART’

HOT MIGRANTS! SO WRONG BUT BECAUSE OF THAT…SO SEXY!

BORDERLINE? YOU THINK YOU ARE GOING TO LOSE YOUR MIND? I THINK YOU DID IT!

AT CENTRALE MONTEMARTINI, PRESENT DAY ROMANS CONSIDER THEMSELVES PROGRESSIVE BUT, IN FACT, THEY SHOW THEIR PARALYSING OBSESSION WITH THE PAST

IN A TWO-PAGE INTERVIEW IN THE MOST RELEVANT NEWSPAPER IN CHILE, I SPEAK ABOUT THAT COUNTRY’S ‘APARTHEID’

SAY HELLO TO PRICK-ASSO!

WHY IS THE GALLERIA BORGHESE EMBARRASSED BY THEIR HERMAPHRODITE’S PENIS?

A COLLECTOR’S EXQUISITE (AND DECADENT) TASTE SHOWCASED AT AN AMAZING EXHIBITION AT PALAZZO ALTEMPS IN ROME

‘WHEN I SAID ARCHITECTS SHOULD GET INVOLVED IN HUMANITARIAN ISSUES, PEOPLE LAUGHED AT ME’

TATE MODERN’S CURATOR OF PHOTOGRAPHY TAKES THE PLACE OF THE ARTIST AND TURNS HIM INTO SHIT (IN A CAN À LA PIERO CANZONI)

THE ITALIAN PASSED FROM EMBODYING HIGH CULTURE TO BEING RIDICULED FOR THEIR LACK OF KNOWLEDGE

KELLY CLARKSON BRINGS JLO TO TEARS AND MAKES ART IN THE MOST UNLIKELY PLACE, AMERICAN IDOL

‘SOCIALLY MINDED ARCHITECTURE IS NOT AN ARCHITECT’S RESPONSIBILITY’ SAYS ALEJANDRO ARAVENA

I MIGHT BE BIASED BECAUSE ARTHUR DELANEY IS MY GOOD FRIEND BUT HAELOS IS GREAT!

‘SINCE JEFF KOONS’ CICCIOLINA, I HAVE NEVER SEEN SOMETHING AS MISOGYNISTIC AS ROMAIN MADER… AND SIMON BAKER’

IS ‘PERFORMING FOR THE CAMERA’ CURRENTLY AT TATE MODERN ABOUT ‘PRODUCT PLACEMENT’?

MY VIDEO REVIEW OF THE ‘PERFORMING FOR THE CAMERA’ EXHIBITION AT TATE MODERN (UNTIL JUNE)

FILM DIRECTOR GASPAR NOÉ RAPED A WOMAN TO GET INSPIRED FOR HIS INFAMOUS RAPE IN REAL TIME IN HIS ‘IRREVERSIBLE’ (2002)

ACCORDING TO ZAHA HADID, HER BUILDINGS ARE DYNAMIC BUT I THINK THEY ARE A REPRESENTATION OF THE DYNAMIC WHICH IS VERY DIFFERENT

ACCORDING TO A SWISS CHINESE ARTIST, ZAHA HADID AND FRANCIS BACON EVIDENCE A ‘LACK OF WILLINGNESS TO ENGAGE’ BUT WHAT DOES SHE MEAN BY THAT?

THE DEAN OF THE YALE SCHOOL OF ARTS AGREES WITH US THAT ROBERTA SMITH AND JERRY SALTZ ARE TO ART CRITICISM WHAT PINOCHET TO HUMAN RIGHTS

ZAHA HADID’S USE OF SUPREMATISM MAKES HER ARCHITECTURE POINTLESS

WHY IS THE ROYAL INSTITUTE OF BRITISH ARCHITECTS MAKING A BIG MISTAKE GIVING THE AWARD TO ZAHA HADID?

TATE MODERN PURCHASED A PHOTO OF ARGENTINE MISSING PEOPLE WITHOUT THEIR FAMILIES CONSENT

THE BURBERRY’S MENSWEAR JANUARY 2016 IS A VIEWING CYBORG FOR A MEDICATED BUYER

THE DAY A NUN TAUGHT ANDRES SERRANO THINGS ABOUT HIMSELF (AND HIS ‘PISS CHRIST’)

THE ARTIST THAT CURATORS MIGHT HAVE BEEN WAITING FOR TO CONSIDER THEMSELVES AS ARTISTS

ALEXANDRA KEHAYOGLOU: THE RUG MAKER WHO CREATES MAGICAL WORLDS OUT OF THREADS

REM KOOLHAAS INTERVIEW: WE SHOULDN’T TEAR DOWN BUILDINGS WE CAN STILL USE’

TELEOLOGY AND THE TURNER PRIZE: UTILITY, THE NEW CONSERVATISM

FOUR YEARS AFTER THE LONDON RIOTS, THE TURNER PRIZE IS FOR THOSE WHO DARE TO HAVE A FRESH LOOK AT THE MAGNA CARTA

FRANK AUERBACH AND THE ‘ALL AT ONCENESS’ OF EXCELLENT PAINTING

THE NEW MADAME DE POMPADOUR OF FRENCH CULTURE?

LOCALS VANDALISE CONCEPTUAL ART DURING AND AFTER THE 12TH HABANA BIENNIAL

ARTISTIC CORRUPTION AND ARGENTINE POPULISM AS ART AT LA MAISON ROUGE IN PARIS

THE SAME OLD BORING SAMENESS AT THIS YEAR’S ARTBASEL

ART BASEL 2015 TOP 12 TURDS

CRISTINA KIRCHNER’S POPULISM PRESENTED AS ART AT THE MAISON ROUGE IN PARIS

THE ‘OH, I AM SO INTO CONTEMPORARY ART’ FASHION STYLE AT ART BASEL 2015

ADRIÁN VILLAR ROJAS: CAN A BAD PERSON BE A GOOD ARTIST?

WHEN WRITING FOR THE SOHO REVUE, I AM ‘THE HECKLER’

TABOOFART’S ARTICLE ON THEASTER GATES MENTIONED IN THE FINANCIAL TIMES

STEP INSIDE THE BOLSHOI 2015

GovWatch TO THE ZABLUDOWICZ AND THEIR DIVERSIONARY ART COLLECTING

GENERAL DISCOMFORT AT THE BUENOS AIRES ART FAIR’S DECISION TO AIR A TV COMMERCIAL THAT COPIES THE FIAC’S ONE FROM TWO YEARS AGO

SHOULD PUBLIC SCHEMES AIMED AT FUNDING LOCAL ARTISTS BE USED TO COMMISSION MULTI-MILLION DOLLAR SERIALISED JEFF KOONS SCULPTURES?

I LOVED ‘MAD MAX: FURY ROAD’

AFTER TRYING TO PAY COLLEAGUE SARAH WOOKEY LESS THAN MINIMUM WAGE, MARINA ABRAMOVIC TRIES SOME OF HER OWN MEDICINE